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・ Kharkiv Railway station
・ Kharkiv Raion
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・ Kharkiv Regional Committee of the Communist Party of the Soviet Union
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Kharkiv-style bandura
・ Kharkivka
・ Kharkivska (Kiev Metro)
・ Kharkivski Akuly
・ Kharkivskyi neighborhood, Kiev
・ Kharkivskyi Raion
・ Kharko
・ Kharkoo
・ Kharkov (disambiguation)
・ Kharkov Governorate
・ Kharkov Klezmer Band
・ Kharkov Mathematical Society
・ Kharkov Medical Academy of Post-graduate Education
・ Kharkov National Kotlyarevsky University of Arts
・ Kharkov National Medical University


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Kharkiv-style bandura : ウィキペディア英語版
Kharkiv-style bandura

Kharkiv-style banduras are banduras that allow for the playing of the Kharkiv style, i.e. using the left hand to play melodic figures primarily over the side of the instrument as opposed to the Kiev style where the left hand primarily plays the basses. To allow for the added required dexterity of the left hand, the instrument is held parallel to the body of the player.
These instruments are in comparison quite rare because they are all individually crafted primarily made by craftsmen outside of Ukraine. In recent times, they have become quite sought after in Ukraine. They are strung either diatonically (with 31–36 strings) (8 basses and 23 prystrunky) or chromatically (with 61–65 strings).
== Early instruments ==

The first standard Kharkiv bandura was designed and manufactured in 1926. This instrument was based on the Starosvitska bandura used by Hnat Khotkevych and was modified somewhat by Leonid Haydamaka. It was intended for use by the bandura students of Hnat Khotkevych at the Kharkiv Mus-dram Institute.
The first instrument was made by Kharkiv instrument maker Snehiriov. This instrument had a diatonic tuning with 31 strings. The back was hewn out of maple.
In the 1930s a workshop for the serial manufacture of diatonically tuned Kharkiv banduras was established by Leonid Haydamka in Kharkiv and later another by Paliyivetz in Poltava. As a result most players from Kharkiv and Poltava played on Kharkiv-style instruments. Modifications in the construction were gradually introduced such as glued backs, a mechanism for the rapid retuning of the instrument and a dampening mechanism.
Instruments were used by the Kharkiv and Poltava Bandurist Capella and also the Kharkiv Bandurist Quartet and Kharkiv Orchestra of Ukrainian folk instruments.
After the war, unfortunately many of the diatonic banduras were remade into chromatic Kiev-style banduras and were destroyed in the process.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Kharkiv-style bandura」の詳細全文を読む



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